Selected bibliography

Davidson, Martha. “Vicente: A Spanish Painter of the Soil.” Art News 35, no. 13 (May 15, 1937): 13.

De Kooning, Elaine. “Vicente Paints a Collage.” Art News 52, no. 5 (September 1953): 38­–41, 51­–52.

El color es la luzEsteban Vicente 1999­–2000. Segovia: Museo de Arte Contemporáneo Esteban Vicente, 2000.

Museo de Arte Contemporáneo Esteban Vicente. Segovia: Museo de Arte Contemporáneo Esteban Vicente, 2004.

The Esteban Vicente Museum of Contemporary Art. Segovia: Museo de Arte Contemporáneo Esteban Vicente, 2004.

Esteban Vicente: A Forty-Year Survey. East Hampton, N.Y.: Guild Hall Museum, 1992.

Esteban Vicente: A Retro-view, 1953­–1996. Santa Fe, N.Mex. and Scottsdale, Ariz.: Riva Yares Gallery, 1996–97.

Esteban Vicente: Blanco y negro. Madrid: Galería Elvira González, 2000.

Esteban Vicente: Centenario. Madrid: Galería Elvira González, 2003.

Esteban Vicente, ca. 1980.
Foto: Nancy Riva Schiff.

Esteban Vicente: Collages. Cuenca: Museo de Arte Abstracto Español—Fundación Juan March, 2003.

Esteban Vicente: Collages 1950–1994. Valencia: IVAM Centre Julio González, 1995.

Esteban Vicente: Collages, 1959–1998. Madrid: Galería Elvira González, 2001.

Esteban Vicente: Divertimientos and Small Collages. East Hampton, N.Y.: Glenn Horowitz Bookseller, 1995.

Esteban Vicente: Dibujos, 1920–2000. Segovia: Museo de Arte Contemporáneo Esteban Vicente, 2010.

Esteban Vicente en Silos. Madrid: Museo Nacional Centro de Arte Reina Sofía, 2001.

Esteban Vicente esencial. Pamplona: Museo de Navarra, 2000.

Esteban Vicente: Five Decades of Painting. Santa Fe, N.Mex., and Scottsdale, Ariz.: Riva Yares Gallery, 1994.

Esteban Vicente: Images in Black and White: 23 Drawings from 1969–70. Princeton, N.J.: Art Museum, Princeton University, 1970.

Light, Color, Spirit: Esteban Vicente. Huntington, N.Y.: Heckscher Museum of Art, 2001.

Esteban Vicente: Obras 1950–1997. Burgos: Caja Burgos—Centro Cultural Casa del Cordón, 2003.

Esteban Vicente: Obras de 1950–1998. Madrid: Museo Nacional Centro de Arte Reina Sofía, 1998.

Esteban Vicente: Pinturas, 1959–1998. Madrid: Galería Elvira González, 1998.

Esteban Vicente: Pinturas, dibujos y collages, 1925–1999. Málaga: Museo del Patrimonio Municipal, 2007.

Esteban Vicente: Pinturas y collages 1925–1985. Madrid: Fundación Banco Exterior de España, 1987.

Esteban Vicente: Vintage Vicente, Works on Paper from the 1950s and the 1960s. New York: Berry-Hill Galleries, 2000.

Frank, Elizabeth. Esteban Vicente. New York: Hudson Hills Press, 1995.

———. “Interviews with Esteban Vicente: New York City, February 6, 1980; Bridgehampton, New York, July 9–11, 1980.” Unpublished.

———. Transcript of tape-recorded interview with Esteban Vicente at Hotel des Artistes, November 27, 1982. Washington, D.C.: Archives of American Art, Smithsonian Institution.

———. Transcript of tape-recorded interview with Esteban Vicente, December 4, 1982. Washington, D.C.: Archives of American Art, Smithsonian Institution.

———. “Vicente Interview: November 17, 1991, New York City.” Unpublished.

Gesto y color. Palma de Mallorca: Museu d’Art Espanyol Contemporani, 2004.

Greenberg, Clement. Review of the exhibition CollageThe Nation, November 27, 1948. Reprinted in John O’Brian, ed. Clement Greenberg: The Collected Essays and Criticism, vol. 2, Arrogant Purpose, 1945–1949. Chicago: University of Chicago Press, 1986.

Harris, Mary Emma. The Arts at Black Mountain College. Cambridge, Mass.: MIT Press, 2002.

Haxall, Daniel. “Cut and Paste Abstraction: Politics, Form, and Identity in Abstract Expressionist Collage.” Ph.D. dissertation, Pennsylvania State University, 2009.

Hess, Thomas B. “Collage as an Historical Method.” Art News 60, no. 7 (November 1961): 31–33, 69–71.

———. “Five Shows Out of the Ordinary: Esteban Vicente.” Art News 56, no. 11 (March 1958): 39, 52–53.

Hoffman, Katherine, ed. Collage: Critical Views. Ann Arbor, Mich.: UMI Research Press, 1989.

Janis, Harriet, and Rudi Blesh. Collage: Personalities, Concepts, Techniques. Philadelphia: Chilton Book Co., 1962.

Juegos en el espacio: Esteban Vicente: Esculturas 1968–1998. Segovia: Museo de Arte Contemporáneo Esteban Vicente, 2002.

Katz, Vincent, ed. Black Mountain College: Experiment in Art. Cambridge, Mass.: MIT Press, 2003.

Luz entera: Esteban Vicente y sus contemporáneos (1918–1936). Segovia: Museo de Arte Contemporáneo Esteban Vicente, 2003.

Poggi, Christine. In Defiance of Painting: Cubism, Futurism, and the Invention of Collage. New Haven: Yale University Press, 1992.

Sandler, Irving. Esteban Vicente: The Aristocratic Eye. New York: Ameringer Yohe Fine Art, 2007.

———. A Sweeper-Up After Artists: A Memoir. New York: Thames and Hudson, 2003.

———. Transcript of tape-recorded interview with Esteban Vicente at his home in Bridgehampton, Long Island, August 26–27, 1968. Washington, D.C.: Archives of American Art, Smithsonian Institution.

Seitz, William. The Art of Assemblage. New York: Museum of Modern Art, 1961.

———. Esteban Vicente: Paintings, Collages, Drawings. Princeton N.J.: The Art Museum and the Creative Arts Program, Princeton University, 1966.

Toys. Esteban Vicente. Sculptures 1968-1998. Segovia: Museo de Arte Contemporáneo Esteban Vicente, 2002.

Trincere, Yolande. “New York University and Its Participation in the Abstract Expressionist Movement.” Ph.D. dissertation, New York University, 1999.

Tuchman, Phyllis. “Esteban Vicente Interviewed by Phyllis Tuchman: April 6, 1982.” Washington, D.C.: Archives of American Art, Smithsonian Institution.

Vicente, Esteban. “Gris: Reality Cubed.” Art News 57, no. 3 (May 1958): 30­–33.

———. “On Painting and Painters.” Reprinted in El color es la luz: Esteban Vicente 1999–­2000. Segovia: Museo de Arte Contemporáneo Esteban Vicente, 2001.

———. “Painting Should Be Poor.” Location 1 (summer 1964): 68­–71.

———. “Statement.” It Is, no. 1 (spring 1958): 41.

Zurbarán, Juan Gris, Esteban Vicente: Una tradición española de la modernidad. Segovia: Museo de Arte Contemporáneo Esteban Vicente, 2003.

Zurbarán, Juan Gris, Esteban Vicente: A Spanish Tradition of Modernity. Trans. Selma Margaretten. Segovia: Museo de Arte Contemporáneo Esteban Vicente, 2003.